With the help of foot-joint keys, newly designed modern recorders overblow into harmonized overtones. The achieved benefits make formerly unplayable music accessible.
for recorder (tenor, alto, soprano or sopranino) and organ
Aura-Edition AE 040-MB, score and recorder part, € 14,00
This musical contemplation of a relationship to an angel is set in three movements which develops empathetically in a dialogue between the recorder and the organ. Far from any modernism, it accessibly follows the literary source into an appropriate tonal and comprehensive atmosphere.
for recorder (tenor, alto, soprano or sopranino) and organ
Aura-Edition AE 040-MB, score and recorder part, € 14,00
This musical contemplation of a relationship to an angel is set in three movements which develops empathetically in a dialogue between the recorder and the organ. Far from any modernism, it accessibly follows the literary source into an appropriate tonal and comprehensive atmosphere.
for alto recorder and piano
Aura-Edition AE 035-MB, piano score and part for alto recorder, € 22,00
Central and demanding work of the Csakan repertoire in concertante form, presented in a transposed version for alto recorder.
The long-lost piano part has been rediscovered 2017 – the rondos can be now published in their original texture.
Volume 2 comprises the touching Rondo no. 3 in C minor, which is without doubt one of the most substancial works of Krähmer: the lamenting main theme is juxtaposed with other emotional and cantabile or dance-like episodes. But not enough: the main theme mutates into a relaxed major key and ends by an energetic coda. The multi-level Rondo no. 4 in C major works like a recollection of most popular musical thoughts of these days. After a general pause, the piece ends in an almost symphonic manner, and, as often the case in Krähmer’s oeuvre, in a Mozart-like finale.
Sound Samples No. 1:
Sound Sample No. II:
Link to the sheet-music example No. 1
Link to the sheet-music example No. 2
Link to the foreword (in German)
for alto recorder and piano
Aura-Edition AE 035-MB, piano score and part for alto recorder, € 22,00
Central and demanding work of the Csakan repertoire in concertante form, presented in a transposed version for alto recorder.
The long-lost piano part has been rediscovered 2017 – the rondos can be now published in their original texture.
Volume 2 comprises the touching Rondo no. 3 in C minor, which is without doubt one of the most substancial works of Krähmer: the lamenting main theme is juxtaposed with other emotional and cantabile or dance-like episodes. But not enough: the main theme mutates into a relaxed major key and ends by an energetic coda. The multi-level Rondo no. 4 in C major works like a recollection of most popular musical thoughts of these days. After a general pause, the piece ends in an almost symphonic manner, and, as often the case in Krähmer’s oeuvre, in a Mozart-like finale.
Sound Samples No. 1:
Sound Sample No. II:
Link to the sheet-music example No. 1
Link to the sheet-music example No. 2
Link to the foreword (in German)
for alto recorder and piano
Aura-Edition AE 034-MB, piano score and part for alto recorder, € 22,00
Central and demanding work of the Csakan repertoire in concertante form, presented in a transposed version for alto recorder.
The long-lost piano part has been rediscovered 2017 – the rondos can be now published in their original texture.
Volume 1 contains the charming Rondo no. 1 in E-flat major in a pastoral-like gesture, which finishes in a dance-like finale, briefly citing elements from Spanish national dances admired in these days. Rondo no. 2 in A-flat major is one of the most thrilling and sparkling works from Krähmer’s oeuvre. The repea
Sound Samples No. 1:
Sound Sample No. II:
Link to the sheet-music example No. 1
Link to the sheet-music example No. 2
Link to the foreword (in German)
for alto recorder and piano
Aura-Edition AE 034-MB, piano score and part for alto recorder, € 22,00
Central and demanding work of the Csakan repertoire in concertante form, presented in a transposed version for alto recorder.
The long-lost piano part has been rediscovered 2017 – the rondos can be now published in their original texture.
Volume 1 contains the charming Rondo no. 1 in E-flat major in a pastoral-like gesture, which finishes in a dance-like finale, briefly citing elements from Spanish national dances admired in these days. Rondo no. 2 in A-flat major is one of the most thrilling and sparkling works from Krähmer’s oeuvre. The repea
Sound Samples No. 1:
Sound Sample No. II:
Link to the sheet-music example No. 1
Link to the sheet-music example No. 2
Link to the foreword (in German)
for piano and alto recorder
Aura-Edition AE 033-MB, piano score and part for alto recorder, € 20,00
The demanding piano part of this duo with the recorder is a concertante work, dating probably from around 1810 and performed only at court, which is the reason it has not been printed before.
These days it still requires a versatile pianist for the virtuosic passages but also for performing the sections that enter into a dialogue with the melody instrument.
Valentin Czejka was one of the best professional musicians of Vienna, favoured by Beethoven as a bassoon virtuoso, and a prolific composer.
for piano and alto recorder
Aura-Edition AE 033-MB, piano score and part for alto recorder, € 20,00
The demanding piano part of this duo with the recorder is a concertante work, dating probably from around 1810 and performed only at court, which is the reason it has not been printed before.
These days it still requires a versatile pianist for the virtuosic passages but also for performing the sections that enter into a dialogue with the melody instrument.
Valentin Czejka was one of the best professional musicians of Vienna, favoured by Beethoven as a bassoon virtuoso, and a prolific composer.
for alto recorder with E-foot extension and piano
Aura-Edition AE 022-MB, recorder part & piano score, € 22,00
Schuberts »Arpeggione«-Sonata is among the best and most popular works – in consequence, it already appears in a wide range of arrangements. Luckily one circumstance (the fact that the tone E is the lowest note of the melody instrument in Schubert’s composition) makes it particularly suitable for a modern alto recorder with E-foot extension. Editor Nik Tarasov explains in the foreword period and modern aspects connected to this surprising version of a real musical gem.
for alto recorder with E-foot extension and piano
Aura-Edition AE 022-MB, recorder part & piano score, € 22,00
Schuberts »Arpeggione«-Sonata is among the best and most popular works – in consequence, it already appears in a wide range of arrangements. Luckily one circumstance (the fact that the tone E is the lowest note of the melody instrument in Schubert’s composition) makes it particularly suitable for a modern alto recorder with E-foot extension. Editor Nik Tarasov explains in the foreword period and modern aspects connected to this surprising version of a real musical gem.
Volume 1: Rondo no. 1 G major & Rondo no. 2 C major.
for soprano recorder and piano
Aura-Edition AE 018-MB, recorder part & piano score, € 22,00
Central and demanding work of the Csakan repertoire in concertante form.
The long-lost piano part has been written by the editor in the sense of period accompaniments to other woodwind works.
Volume 1 contains the charming Rondo no. 1 in G major which reflects the pastoral setting of Beethoven’s violin sonatas and chamber music, finishes in a dance-like finale, briefly citing elements from Spanish national dances admired in these days. Rondo no. 2 is one of the most thrilling and sparkling works from Krähmer’s oeuvre. The repeating march-like main theme is bursting with energy in the highest possible register; the musical interludes are varying from a dramatic section to extremely playful and virtuoso passages in the sense of Johann Wenzel Kalliwoda.
Two Sound Samples:
Link to the sheet-music example no. 1
Link to the sheet-music example no. 2
Link to the foreword (in German)
Volume 1: Rondo no. 1 G major & Rondo no. 2 C major.
for soprano recorder and piano
Aura-Edition AE 018-MB, recorder part & piano score, € 22,00
Central and demanding work of the Csakan repertoire in concertante form.
The long-lost piano part has been written by the editor in the sense of period accompaniments to other woodwind works.
Volume 1 contains the charming Rondo no. 1 in G major which reflects the pastoral setting of Beethoven’s violin sonatas and chamber music, finishes in a dance-like finale, briefly citing elements from Spanish national dances admired in these days. Rondo no. 2 is one of the most thrilling and sparkling works from Krähmer’s oeuvre. The repeating march-like main theme is bursting with energy in the highest possible register; the musical interludes are varying from a dramatic section to extremely playful and virtuoso passages in the sense of Johann Wenzel Kalliwoda.
Two Sound Samples:
Link to the sheet-music example no. 1
Link to the sheet-music example no. 2
Link to the foreword (in German)
Vol 2: Rondo no. 3 in g minor & Rondo no. 4 in G major
for soprano recorder and piano
Aura-Edition AE 019-MB, recorder part & piano score, € 22,00
Central and demanding work of the Csakan repertoire in concertante form.
The long-lost piano part has been written by the editor in the sense of period accompaniments to other woodwind works.
Volume 2 comprises the touching Rondo no. 3 in g minor, which is without doubt one of the most substancial works of Krähmer: the lamenting main theme reminds on the musical language of Schumann, the other emotional and cantable or dance-like episodes sound like Schubert. But not enough: the main theme mutates into a relaxed major key and ends by an energetic coda. The multi-level Rondo no. 4 in G major works like a recollection of most popular musical thoughts inspired by the early Mendelssohn, Carl Maria von Weber and Bernhard Molique. After a general pause, the piece ends in an almost symphonic manner, and, as often the case in Krähmer’s oeuvre, in a Mozart-like finale.
Vol 2: Rondo no. 3 in g minor & Rondo no. 4 in G major
for soprano recorder and piano
Aura-Edition AE 019-MB, recorder part & piano score, € 22,00
Central and demanding work of the Csakan repertoire in concertante form.
The long-lost piano part has been written by the editor in the sense of period accompaniments to other woodwind works.
Volume 2 comprises the touching Rondo no. 3 in g minor, which is without doubt one of the most substancial works of Krähmer: the lamenting main theme reminds on the musical language of Schumann, the other emotional and cantable or dance-like episodes sound like Schubert. But not enough: the main theme mutates into a relaxed major key and ends by an energetic coda. The multi-level Rondo no. 4 in G major works like a recollection of most popular musical thoughts inspired by the early Mendelssohn, Carl Maria von Weber and Bernhard Molique. After a general pause, the piece ends in an almost symphonic manner, and, as often the case in Krähmer’s oeuvre, in a Mozart-like finale.
for alto/ treble recorder with E-foot extension, collected and edited by Karel van Steenhoven
Aura-Edition AE 016-MB, solo part, € 22,00
A collection of ambitious studies with concert solo studies from different stylistic periods for owners of a modern extended alto/treble recorder (e.g. Helder alto, Modern alto). Karel van Steenhoven has contributed several of his own compositions to this comprehensive collection.
A supplement offers his own informative synopsis of different scales suitable to the various styles and within the range of the modern recorder.
Sound Sample:
Link to the sheet-music example
Link to the foreword (in German)
Index of contents (in German)
for alto/ treble recorder with E-foot extension, collected and edited by Karel van Steenhoven
Aura-Edition AE 016-MB, solo part, € 22,00
A collection of ambitious studies with concert solo studies from different stylistic periods for owners of a modern extended alto/treble recorder (e.g. Helder alto, Modern alto). Karel van Steenhoven has contributed several of his own compositions to this comprehensive collection.
A supplement offers his own informative synopsis of different scales suitable to the various styles and within the range of the modern recorder.
Sound Sample:
Link to the sheet-music example
Link to the foreword (in German)
Index of contents (in German)
First Edition
Aura-Edition AE 013-MB, two playing scores, € 25,00
The late-classical feel of these pieces is a welcome enrichment of the original recorder repertoire – this is also due to its unusual instrumentation. The interpretative challenge, raising questions about the violoncello part, has been taken into account in this edition by offering two different versions: one giving the original text, the other a more congenial playing version that reduces the, in places very extensive, range of the violoncello part to that which is essential.
First Edition
Aura-Edition AE 013-MB, two playing scores, € 25,00
The late-classical feel of these pieces is a welcome enrichment of the original recorder repertoire – this is also due to its unusual instrumentation. The interpretative challenge, raising questions about the violoncello part, has been taken into account in this edition by offering two different versions: one giving the original text, the other a more congenial playing version that reduces the, in places very extensive, range of the violoncello part to that which is essential.
Trio for soprano (descant), alto (treble) and tenor recorders.
First Edition
Aura-Edition AE 005-MB, score and three parts, € 19,00
This is the first edition of this trio, set for three recorders – it was originally scored for csakan and two flauti d’amore (see AE 003-CB). This pleasant and technically demanding work, from the repertoire of a Viennese flute ensemble from around 1800, deserves to be revived in recorder circles, having lain dormant for almost 200 years.
Trio for soprano (descant), alto (treble) and tenor recorders.
First Edition
Aura-Edition AE 005-MB, score and three parts, € 19,00
This is the first edition of this trio, set for three recorders – it was originally scored for csakan and two flauti d’amore (see AE 003-CB). This pleasant and technically demanding work, from the repertoire of a Viennese flute ensemble from around 1800, deserves to be revived in recorder circles, having lain dormant for almost 200 years.